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grafische vormgeving --- grafische- en reclamevormgeving --- reclamevormgeving --- naslagwerk --- verpakkingen --- packaging --- logo's --- affiches --- typografie --- platenhoezen --- boekomslagen --- tijdschriften --- 766.03 --- 76 <038> --- 655 <031> --- Grafische kunsten. Grafiek. Prentkunst--Vertaalwoordenboeken--Onderwerpswoordenboeken--Technische woordenboeken --- Grafische industrie. Drukkerij. Uitgeverij. Boekhandel-- algemeen--Encyclopedieën. Lexica --- 76 <038> Grafische kunsten. Grafiek. Prentkunst--Vertaalwoordenboeken--Onderwerpswoordenboeken--Technische woordenboeken --- Commercial art --- Designers --- Graphic arts --- 655.262 --- Design --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art --- Art and industry --- Posters --- Visual communication --- Motion picture billboards --- Dictionaries --- Biography&delete& --- Boekdesign--algemeen --- Graphics industry --- Grafische kunst --- Grafische vormgeving --- woordenboeken. --- Biography
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Computer graphics --- Infographie --- Traitement d'images --- Vision par ordinateur --- Digital techniques --- Techniques numériques --- Digitale kunsten ; toegepaste --- Digitale grafische vormgeving ; computergrafiek --- 766:681.3 --- Gebruiksgrafiek ; digitale ; webtoepassingen ; computerprogramma's --- Computer graphics. --- Computer vision. --- Digital techniques. --- Techniques numériques --- Computer vision --- Image processing --- Digital image processing --- Digital electronics --- Machine vision --- Vision, Computer --- Artificial intelligence --- Pattern recognition systems --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Artificial intelligence. Robotics. Simulation. Graphics --- 766.12.022 --- Grafische industrie en ontwerp ; drager ; digitaal ; technieken ; computer graphics (2D & 3D)
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The age of information, media, and virtuality is transforming every aspect of human experience. Questions that have long haunted the philosophical imagination are becoming urgent practical concerns: Where does the natural end and the artificial begin? Is there a difference between the material and the immaterial? In his new work, Mark C. Taylor extends his ongoing investigation of postmodern worlds by critically examining a wide range of contemporary cultural practices. Nothing defines postmodernism so well as its refusal of depth, its emphasis on appearance and spectacle, its tendency to collapse a three-dimensional world in which image and reality are distinct into a two-dimensional world in which they merge. The postmodern world, Taylor argues, is a world of surfaces, and the postmodern condition is one of profound superficiality. For many cultural commentators, postmodernisms inescapable play of surfaces is cause for despair. Taylor, on the other hand, shows that the disappearance of depth in postmodern culture is actually a liberation repleat with creative possibilities. Taylor introduces readers to a popular culture in which detectives - the postmodern heroes of Paul Auster and Dennis Potter - lift surfaces only to find more surfaces, and in which fashion advertising plays transparency against hiding. Taylor looks at the contemporary preoccupation with body piercing and tattooing, and asks whether these practices actually reveal or conceal. Phrenology and skin diseases, the "religious" architecture of Las Vegas, the limitless spread of computer networks - all are brought within the scope of Taylor's brilliant analysis. Postmodernism, he shows, has given us a new sense of the superficial, one in which the issue is not the absence of meaning but its uncontrollable, ecstatic proliferation. Embodying the very tendencies it analyzes, Hiding is unique. Conceived and developed with well-known designers Michael Rock and Susan Sellars, this work transgresses the boundary that customarily separates graphic design from the story within a text. The product of nearly three decades of reflection and writing, Hiding opens a window on contemporary culture. To follow the remarkable course Taylor charts is to see both our present and past differently and to encounter a future as disorienting as it is alluring.
230*705 --- 230*705 Post-moderne theologie. Postmoderne theologie --- Post-moderne theologie. Postmoderne theologie --- Surfaces (Philosophy) --- Theology. --- Mark C. Taylor ; foreword by Jack Miles --- grafisch design --- postmodernisme --- piercing --- tatoeage --- Rock Michael --- Sellers Susan --- theologie --- religie --- lichamelijkheid --- frenologie --- mode --- Las Vegas --- Tschumi Bernard --- Sherman Cindy --- Venturi Robert --- computers --- nieuwe media --- netwerken --- 766.01 --- Surfaces (Philosophy). --- Philosophy and psychology of culture --- Sociology of culture --- Postmodernism --- Theology --- Christian theology --- Theology, Christian --- Christianity --- Religion --- Philosophy --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Postmodernism. --- 130.2 --- 7.01 --- architectuur --- cultuurfilosofie --- dermatologie --- filosofie --- grafische vormgeving --- huid --- reclamevormgeving
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copywriting --- Advertising. Public relations --- reclameteksten --- reclameboodschappen --- Marketing --- reclamevormgeving --- advertenties --- marketingcommunicatie --- Copywriting --- Reclame --- Beroepen --- Tekstschrijven --- 659.123 --- 766:659.123 --- Grafische vormgeving ; reclame ; affiches --- Reclameteksten ; copywriters ; beroep --- 766.02 --- 766.036 --- Bakker Joeri --- Bresser Reinier --- Floor Rob --- Gerritsen Monique --- Hamersma Harold --- Hekket Fred --- Horvath Martijn --- Koopal Diederick --- Kramer Johan --- Kuijper Aad --- Meijer Ron --- Moltzer Hans --- Obdeijn Harry --- Prins Jim --- Roorda Eugène --- Roozendaal Henk --- Rosier Céline --- Sterrenburg Kees --- Toorenaar Jaap --- Ubachs Wim --- Walvisch Ron --- Wünsch Erik --- Zeehandelaar Peter --- onder redactie van Karin van Gilst en Harold Hamersma --- reclame --- van Walbeek Hans --- van der Wijk Peter --- 369.4 --- Reclameteksten. Kopij --- Gebruiksgrafiek ; reclameteksten ; kopij --- bedrijfseconomie, reclame, algemeen --- Beroep --- Waardering --- Verpleegkunde --- 766.31.071(492) --- Grafische industrie en ontwerp ; beeld ; reclame ; beroep ; Nederland
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graphic arts --- photography [process] --- art [fine art] --- computer art [visual works] --- video art --- Art --- installations [visual works] --- drawing [image-making] --- Internet --- painting [image-making] --- assemblages [sculpture] --- Gabellone, Giuseppe --- McQueen, Steve --- Tiravanija, Rirkrit --- Marcaccio, Fabián --- Neto, Ernesto --- Slominski, Andreas --- Gillick, Liam --- Navridis, Nikos --- Hybert, Fabrice --- Gordon, Douglas --- Yuskavage, Lisa --- Pardo, Jorge --- Wikström, Elin --- Spaans, Peter --- Post, Liza May --- Creed, Martin --- DiCorcia, Philip-Lorca --- Chen, Zhen --- Graham, Rodney --- Zhang Peili --- Kinmont, Ben --- Kinoshita, Suchan --- Jodi --- Lin Yilin --- Shonibare, Yinka --- Hirschhorn, Thomas --- Feher, Tony --- Cattelan, Maurizio --- Höller, Carsten --- Tayou, Pascale Marthine --- Bamgboyé, Oladélé Ajiboyé --- Tottie, Sophie --- Mackie, Christina --- Douglas, Stan --- Hohenbüchler, Christine --- Friedman, Tom --- Huang, Yong Ping --- Huyghe, Pierre --- Antoni, Janine --- Tan, Fiona --- Krisanamis, Udomsak --- Barney, Matthew --- Rennó, Rosângela --- Hawkins, Richard --- Liew Kung Yu --- Valldosera, Eulalia --- Trockel, Rosemarie --- Pérez Bravo, Marta Maria --- Gaskell, Anna --- Geers, Kendell --- Oguibe, Olu --- Neuenschwander, Rivane --- Orozco, Gabriel --- Taylor-Wood, Sam --- Ofili, Chris --- Walker, Kara --- Rehberger, Tobias --- Hohenbüchler, Irene --- Zhou Tiehai --- Alÿs, Francis --- Hernández-Diez, José Antonio --- Hassan, Kay --- Alvi, Tarq --- Kentridge, William --- Aláez, Ana Laura --- Eliasson, Olafur --- Ellis, Sharon --- Lin Tianmiao --- Siquier, Pablo --- Kaern, Simone Aaberg --- Thater, Diana --- Deller, Jeremy --- Ritchie, Matthew --- Sangar, Bülent --- Fernández, Teresita --- Sze, Sarah --- Moffatt, Tracey --- Chang, Fandra --- Grigely, Joseph --- Neshat, Shirin --- Leiderstam, Matts --- KCHO --- Krystufek, Elke --- Uklanski, Piotr --- Rakauskaité, Eglé --- Mori, Mariko --- Rist, Pipilotti --- Roberts, Liisa --- Gonzalez-Foerster, Dominique --- Noble, Paul --- Koo Jeong-a --- Wearing, Gillian --- Wang Du --- Floyer, Ceal --- Handforth, Mark --- Vainio, Mika --- Dean, Tacita --- Lynn, Greg --- Group Aes --- N55 [Copenhagen] --- Superflex [Copenhagen] --- Inventory --- anno 1990-1999 --- 7(03) --- 7.038 --- Aan een panel van 10 curatoren, geselecteerd door uitgeverij Phaidon, werd gevraagd om elk 10 kunstenaars uit te kiezen die volgens hen het meest significant en innovatief zijn in de hedendaagse kunst, waar ook ter wereld. --- Beeldende kunst ; 1995-1999 ; biënnale-catalogus --- Cream --- 1990 --- -20e eeuw --- 705.8 --- beeldhouwkunst --- fotografie --- grafische vormgeving --- installaties --- schilderkunst --- videokunst --- Kunst ; encyclopedieën --- Kunstgeschiedenis ; 1950 - 2000 --- kunstgeschiedenis, 20e eeuw --- Art, Modern --- Catalogs. --- hedendaagse kunst --- Contemporary [style of art] --- Catalogs --- Rakauskaitė, Eglė --- SUPERFLEX [Copenhagen] --- Aan een panel van 10 curatoren, geselecteerd door uitgeverij Phaidon, werd gevraagd om elk 10 kunstenaars uit te kiezen die volgens hen het meest significant en innovatief zijn in de hedendaagse kunst, waar ook ter wereld --- Pérez Bravo, Marta María --- Alvi, Tariq --- art [discipline] --- culturele diversiteit (kunst) --- kunst en technologie
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